Schetsboek met 33 bladen by Anton Mauve

Schetsboek met 33 bladen c. 1876 - 1879

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drawing, paper

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drawing

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reduced colour palette

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muted colour palette

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worn

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impressionism

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landscape

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paper

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dark colour palette

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brown colour palette

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limited palette

Dimensions: height 97 mm, width 165 mm, thickness 12 mm, width 331 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a sketchbook with 33 pages from around 1876 to 1879, by Anton Mauve, currently residing at the Rijksmuseum. It's unassuming; what strikes me most is its tangible sense of history and the contained potential within. It's like holding a secret world. What do you see in it? Curator: That's a wonderful observation, like a portal waiting to be opened. For me, this humble sketchbook speaks volumes about the intimate working process of an artist. Forget the grand, finished canvases for a moment. Here, in these pages, Mauve’s thoughts take flight. It whispers tales of fleeting moments, of landscapes half-seen and swiftly captured. Can you imagine the scenes that dance within, sketched rapidly in response to the light and land? Editor: It does have that evocative quality...like a seed of an idea. Do you think its appearance-- the somewhat worn quality-- adds to that feeling? Curator: Absolutely! The 'worn' aspect and muted colour palette become integral to its charm. It shows a lived-in quality. And that limited, almost brown colour palette suggests a quiet observation, perhaps capturing the specific mood of the Dutch landscape that Mauve loved. These weren't showy displays, but genuine attempts to transcribe the feeling of being in a place. It has an intimacy, don't you think? Editor: Yes, I agree. I didn't realize how much the object itself could contribute to our understanding of the art. It’s not just about the finished work, but the process and even the tools used! Curator: Precisely! Think of it as a visual diary, chronicling not just what he saw, but also *how* he saw. Now, if only we could peek inside every page... Editor: Absolutely, like unlocking the artist’s mind itself. Thanks for illuminating the story within!

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