The Tale of Usugumo c. 18th century

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painting, watercolor

narrative-art

painting

asian-art

ukiyo-e

figuration

watercolor

genre-painting

Dimensions: 12 15/16 × 290 3/16 in. (32.86 × 737.08 cm) (image)12 15/16 × 300 5/16 in. (32.86 × 762.8 cm) (mount, without roller)

Miyagawa Chōshun created *The Tale of Usugumo* using ink and color on paper, showcasing a scene that’s both intimate and expansive. The rich gold leaf is not just a backdrop, but an active participant in the narrative. Look at how it shimmers and reflects light, creating a sense of depth and luxury. This isn't just paint slapped onto a surface. Chōshun painstakingly applied layers of pigment, building up the figures and architectural details with incredible precision. Consider the labor involved in creating such a piece. From the preparation of the paper to the mixing of the inks and the delicate application of the gold leaf, every step required specialized knowledge and skill. This piece is imbued with social significance as the materials used would have been costly, indicative of wealth. *The Tale of Usugumo* isn't just a painting, it's a testament to the power of materials, making, and context in shaping our understanding of art.

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minneapolisinstituteofart over 1 year ago

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The Tale of Usugumo follows a young nobleman from the northern province of Mutsu who paid frequent visits to the courtesan Usugumo in the New Yoshiwara pleasure quarter. The tale was not disseminated broadly; this handscroll is the only known extant copy. According to the postscript, the scroll once included a note and signature by the courtesan Usugumo herself, hinting at a close connection between her and the scroll owner of the scroll. This handscroll has led a life of its own, encapsulated in its current appearance. The work was significantly damaged in a fire, which resulted in the loss of about one third of the tale’s text and illustrations. The burnt scroll was remounted on a handscroll and decorated with gold flecks.