Act Seven: The Ichiriki Teahouse from the Play Chushingura (Treasury of the Forty-seven Loyal Retainers) by Katsukawa Shun'ei

Act Seven: The Ichiriki Teahouse from the Play Chushingura (Treasury of the Forty-seven Loyal Retainers) c. 1795

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print, woodblock-print

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narrative-art

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print

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asian-art

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ukiyo-e

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figuration

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woodblock-print

Dimensions 23.7 × 18.2 cm (9 5/16 × 7 3/16 in.)

Curator: Take a look at "Act Seven: The Ichiriki Teahouse from the Play Chushingura" by Katsukawa Shun'ei, made around 1795. It's a woodblock print, currently housed here at the Art Institute of Chicago. What strikes you first? Editor: Intrigue, certainly. There’s tension humming in the air; the drama's palpable even without knowing the narrative. It almost feels like a stage setting, everything arranged for maximum impact. Curator: That's precisely the intention! Shun'ei was capturing a key moment from a very popular play, a dramatization of the forty-seven Ronin, tales of honor and revenge. Ukiyo-e prints like this served as both popular entertainment and historical records. Editor: Revenge…ahh, that’s likely what we are witnessing with the character's drawn sword over prone figures! Given this context, the teahouse setting feels laden with socio-political undertones of secrecy. Are we seeing some kind of violation or subterfuge here? Curator: Definitely. This scene depicts a pivotal moment. The central figure, Oboshi Yuranosuke, feigns decadence at the teahouse to lull his enemies into a false sense of security while secretly plotting his revenge. Notice how Shun’ei contrasts his composed figure with the chaotic wrestling on the ground. Editor: So that composure, that elegant black robe – it's a mask? Interesting, how performance, like in a play within a play, operates on multiple levels here. And the woman next to him, seemingly oblivious? What's her role? Curator: She represents the deceptive allure of the teahouse, distracting and masking true intentions. Everyone is playing a part. The very nature of Ukiyo-e prints, their mass production, made stories like this accessible across different social strata, shaping public opinion and memory around historical events and figures. Editor: So the artist himself becomes a kind of director, framing and circulating specific narratives within Japanese society. This print becomes a cultural artifact loaded with dramatic intention, public sentiment and the visual strategies that helped shape them. Fascinating to think of all the complex socio-cultural functions served by a single image! Curator: Exactly. And for me, it speaks to how we all play roles and juggle expectations even today, both imposed and chosen. There is a timeless appeal, isn’t there? Editor: Definitely something to contemplate. So much for "simple" entertainment prints. They seem to carry multitudes within those delicate woodblock lines.

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