Large Pendant with Square with 35 Flat Stones 1593

Editor: We're looking at "Large Pendant with Square with 35 Flat Stones," a pen and ink drawing printed in 1593 by Daniel Mignot. It’s remarkably intricate. I’m immediately drawn to the geometric precision, but also the bizarre juxtaposition of figures. What can you tell me about this type of imagery at the time? Curator: This print exists within a fascinating socio-political context. During the late 16th century, sumptuary laws often dictated who could wear what, reflecting social hierarchies. Prints like this, circulated among goldsmiths and patrons, offered accessible fantasies of ornamentation. Does the style remind you of any other movements we have explored? Editor: The swirling lines and somewhat distorted figures… I see some elements of Mannerism? Curator: Precisely. The Mannerist aesthetic favored artifice and complex designs over naturalism. These prints were not just about showing off wealth, but demonstrating sophisticated taste. Notice how the square pendant at the center appears almost architectural. The way it projects from the picture plane reflects an obsession with perspective, even within a decorative object. Who do you think might commission a piece based off this drawing? Editor: Probably someone from a wealthy noble family… perhaps wanting to show they were up to date with all the latest styles from France and the rest of Europe? It feels more aspirational than practical. Curator: Exactly. Think of it as early fashion magazines or moodboards, dictating trends, circulating ideas about status, and contributing to an arms race of adornment! Editor: It's interesting to consider the role of art in defining social status and dictating tastes… thanks! Curator: My pleasure, the exchange revealed, for me, the ever-present intersection of artistry and power dynamics!