Pendant with Two Double Crosses 

Editor: This is an engraving by Daniel Mignot, called "Pendant with Two Double Crosses." There's no firm date, but it's obviously very ornate, a showcase of elegant design. The intricate lines almost make it feel like it's moving, even though it's static. What strikes you about this piece? Curator: Movement is the perfect word! The way the ribbons coil and drape…it almost breathes. For me, it’s less about religious symbolism – though the crosses are undeniable – and more about the sheer delight in craftsmanship. Imagine wearing something so meticulously designed. It's almost a wearable architectural model! Does the precision suggest anything about its intended wearer? Editor: You're right, wearable architecture... I see it now! Perhaps someone of status who valued skill? Do you think the lack of color impacts our perception? Curator: Absolutely. In the absence of vibrant hues, we're forced to focus on form and line. It strips away any potential flamboyance, leaving us with the pure essence of design. But the fun thing is to think of all the colours someone might have actually used to make the pendant. Were they thinking gemstones, enamels? What story do those imagined colours tell? Editor: That’s a good point, filling in the colours almost tells its own story about value and status. I hadn’t considered that. Curator: And consider also it is one of many; it comes from a series. Each an idea, an imagining. The art of making the design has become divorced from the actual making. The print allows its own distribution! Isn't that fabulous? Editor: Definitely gives you something to ponder. I suppose the biggest takeaway is appreciating it as a prototype and a beautiful, elaborate, jewel.