IJsvogel op lotustak c. 1880 - 1919

Suzuki Kason created this ‘IJsvogel op lotustak’ – Kingfisher on lotus branch – using ink and color on silk. It’s a work fundamentally defined by its materiality. Look at the way Kason has masterfully controlled the ink, allowing it to bleed and blend on the absorbent silk surface to create a sense of depth and atmosphere. The silk itself, with its fine weave and subtle sheen, provides a delicate ground for the painting. This method, known as traditional East Asian brush painting, is a skilled practice and aesthetic that involves the controlled application of ink and color washes using a brush. This requires years of training to master. Notice also the way the mounting contributes to the overall effect. The choice of fabric, its texture, color and pattern, all work to frame and enhance the painted image. Together they form one cohesive artwork. By considering the materials and processes involved in its creation, we gain a deeper appreciation for the artistry and cultural significance of this exquisite painting. This reminds us that art is not just about the image, but also about the materials and the making.