Binnenplaats en zuilengang van het Kasteel van Pierrefonds c. 1875 - 1900

Editor: Here we have “Binnenplaats en zuilengang van het Kasteel van Pierrefonds,” a print photograph from between 1875 and 1900 by Neurdein Frères. There's a strange formality, emphasized by the symmetry of the arches and the hard lines of the stonework. How would you interpret this work from a formalist perspective? Curator: The success of this image resides within the careful orchestration of lines and geometric forms. Observe how the receding arches on the right create a powerful linear perspective, drawing the eye deep into the photographic space. The texture of the brick paving creates a counterpoint to the smooth surfaces of the arcade, whilst the circular form of the well introduces an additional geometric plane, setting up a contrast between the foreground and background. Editor: The symmetry you mentioned is quite compelling; do you see a dominant focal point created by these structures? Curator: Indeed. The formal qualities orchestrate a duality between confinement and limitlessness, as the architecture appears to simultaneously block movement and enable travel through this colonnade toward the infinite at the horizon. Consider also the muted tonality of the sepia, heightening the sense of distance and stillness within the picture. The light enhances our vision. Editor: This interplay of light and the receding arches definitely add an interesting visual perspective and that tonal consideration you make highlights this stillness you identify. Curator: The structural integrity of the architecture is balanced and dynamic, with this being largely made successful through the control of lighting and geometry; together, Neurdein Frères produce a serene piece through formal methods alone. Editor: That’s a helpful overview. Now I understand how simply appreciating formal decisions enhances the view and, indeed, meaning of an artwork.