ceramic
asian-art
ceramic
ceramic
decorative-art
This vase, of unknown date and maker, presents a compelling study in form and surface. The vessel's rotund body, gently curving inwards to a narrow neck, establishes a classic silhouette. The anonymous artist has interrupted the purity of its form with a painterly decoration, featuring organic motifs in red and blue pigments. These applied elements, a departure from pure formalism, introduce a semiotic layer. The blossoms and branching lines can be read as symbols of nature and perhaps even cultural motifs depending on their context. The slight blurring and unevenness of the paint application adds a layer of complexity, suggesting a dialogue between control and chance, intention and accident. Ultimately, the beauty of this vase lies in its formal tension; a balance between the universal appeal of its shape, and the artist’s unique, imperfect touch. It is within this interaction that the piece transcends mere functionality to become an expressive object.
Comments
While highly skilled potters at the official kilns produced elegant shapes out of refined porcelain clay, local potters had to manage with inferior materials. The squat proportions and surface imperfections of this jar suggest its rural origins. Nevertheless, the rendering of a bird on a branch of blossoming plum was skillfully executed.
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