Doshalla c. 19th century

Editor: Welcome! We are looking at "Doshalla," an intricately woven cotton textile from the 19th century, housed here at the Minneapolis Institute of Art. At first glance, the symmetrical design almost seems to vibrate, doesn't it? So overwhelming. What do you make of it? Curator: You know, "vibrate" is perfect – it's like a visual hum, isn't it? To me, this Doshalla *whispers* a story of opulence and warmth. It’s more than just geometric patterns, darling, it’s organized chaos! Imagine draping yourself in this; suddenly you're transported. How does the repetitive nature make you feel? Editor: It does feel luxurious. A little claustrophobic, though. All those tiny paisley motifs lined up in regimented rows. Does the artist use repetition to create a specific emotional impact? Curator: Oh, absolutely. Repetition can be hypnotic, even meditative. It also hints at meticulous craft. The artist almost certainly wanted to impress – and possibly to invite the wearer, or the observer, to quiet their own inner chatter. Are the end pieces, the borders, different for you than the middle part? Editor: Yes! The main area with the parallel rows of floral patterns and the side panels look more free-form and energetic. It's quite stunning! Curator: The overall impact to me is simply regal. To imagine a life adorned by things so finely rendered, it pulls me to reflect about my world, my work… perhaps to put another kettle on. Editor: I’m going to appreciate patterns a little more, and that attention to detail for a whole new meaning! Thanks. Curator: And thank *you* for lending your eye to mine, it helps to clear my glasses of old perceptions.