Design for Ornament, with Angels; verso: Design for Ornament; Sketch for Synagogue, Boston Public Library 1895 - 1919

Curator: Editor: So, this is John Singer Sargent's "Design for Ornament, with Angels; verso: Design for Ornament; Sketch for Synagogue, Boston Public Library." It feels like a glimpse into his creative process, very raw. What do you make of it? Curator: Well, given Sargent’s societal standing, these sketches offer a fascinating look at the intersection of religious and civic spaces in the late 19th century. How might his designs reflect the social hierarchies of the time, considering the roles of both sacred institutions and public libraries? Editor: That’s interesting. So you’re seeing a reflection of power dynamics even in these early sketches? Curator: Absolutely. Consider who these spaces were for, who had access, and who was being represented in the art. It begs the question: how do these designs either reinforce or challenge existing social structures? Editor: I never thought of it that way. Thanks, I will definitely consider that perspective when looking at similar works. Curator: It’s crucial to view art as a product of its time, shaped by and shaping the society around it.