Pied a gauche d'abords 

Sheigla Hartman created this artwork titled "Pied a gauche d'abords" using etching techniques sometime between 1969 and 1971. Here, we see a dance of abstract forms, lines, and structures reminiscent of organic growth, yet also suggestive of an underwater scene, rendered in delicate lines. Consider the sinuous lines that evoke both the rhythmic undulation of water and the fluid movements of plant life. These motifs recur across time and cultures, whether in the flowing robes of a Botticelli Venus or the intricate patterns of Art Nouveau. The subconscious fascination with these forms speaks to our primal connection with nature and the cyclical processes of life, death, and renewal. Perhaps it is this deeply ingrained memory that Hartman's artwork taps into, stirring within us a sense of longing for an idealized, harmonious relationship with the natural world. This image reminds us of the power of symbols to transcend time, echoing through centuries and resurfacing in new forms, laden with layers of cultural and psychological significance.