Negen honden 1594 - 1621

Editor: Here we have "Negen Honden," or "Nine Dogs," a drawing, or print, created by Nicolaes de Bruyn sometime between 1594 and 1621. It feels like a candid snapshot, almost, capturing these canines in various states of play and repose. What strikes you about this piece? Curator: What I find fascinating is how this seemingly simple depiction of dogs exists within a specific cultural and political context. During the Dutch Golden Age, the rising merchant class used art to display status and affinity with certain aristocratic traits. Dogs often appeared in paintings as symbols of loyalty, vigilance, and hunting prowess, virtues valued by the elite. The dogs depicted in different states – playing, alert, seated – is reflective of estate life. Consider where it was to be hung in a home? Editor: That’s interesting. So, this wasn't just about loving animals, but more about aligning with certain social ideals? Curator: Exactly! Furthermore, note the Mannerist influence, especially in the somewhat elongated proportions and the lively, almost theatrical poses of the dogs. It shows de Bruyn as being artistically sophisticated for his time. This isn't just about depicting animals realistically, but about showcasing artistic skill and engaging with prevailing aesthetic trends. Would the display of an estate, or a person's appreciation of hunting provide political leverage or status? Editor: Definitely food for thought. I never considered how much social and political commentary could be packed into a picture of dogs! I guess it's not *just* a picture of dogs. Curator: Precisely. It’s a window into a specific time, place, and set of values, cleverly disguised as a casual scene. Hopefully, our listeners will notice it as more than the every day image.