Allegorisch portret van Jean-Baptiste Colbert 1790 - 1816

This print, made by Nicolas Ponce, pictures Jean-Baptiste Colbert, the French Minister of Finances under Louis XIV. The printmaking process involves design, transfer, and meticulous carving into a metal plate. It's an artisanal process, where the quality of the final print depends on the engraver's skill and labor. Notice how the design of the print also cleverly refers to Colbert’s sphere of influence. Flanking the portrait are allegorical figures representing the arts and sciences, evoking Colbert's efforts to establish French cultural institutions. The inclusion of architectural elements and maritime scenes also allude to his involvement in construction projects, and naval expansion. Printmaking at the time allowed for the broad dissemination of propaganda images like this, furthering the cultural and political agenda of the French court. By understanding the material and the means of production, we can better appreciate how it was intended to shape public perception. In this context, printmaking wasn't just a craft, but a tool of statecraft.