Joseph Lovering (1813-1892) 1868 - 1875

Editor: This is a portrait of Joseph Lovering by William Notman. It’s a small photograph, almost sepia-toned. It looks like a formal portrait from the late 19th century. What do you see in this piece, considering its historical context? Curator: This photograph speaks to the rise of photography as a tool for constructing and disseminating social identities in the 19th century. Studio portraits like this one were crucial in solidifying the image and status of academics like Lovering. Notice the oval framing. How does that affect your reading of the image? Editor: It gives it a sense of formality, almost like a cameo. I guess it was a way to elevate the subject. Curator: Exactly. The framing, combined with the subject's attire and pose, all contribute to a constructed image of respectability and intellectual authority, reflecting the social and cultural values of the time. It’s all very deliberate. Editor: That makes so much sense. Thanks!