Two designs for side chairs 1700 - 1800

This sheet presents two side chair designs, rendered by an anonymous hand with graphite on paper. The designs are simple, yet elegant, each exploring a unique approach to the chair's structure and upholstery. Notice how the lines construct a delicate balance between support and ornamentation. The upper design showcases a woven texture sample, juxtaposed with the chair's frame, creating a dialogue between tactile experience and visual form. The geometry of the chair, with its straight legs and curvilinear seat, offers a play on classical motifs. The rosettes and beaded trim introduce a layer of decorative complexity against the plain frame. These drawings, with their attention to detail and proportion, point not just to functional design but also to broader aesthetic and cultural values. The chair, after all, is more than just a seat; it's a cultural signifier, a commentary on status, and a reflection of the user's identity. The chairs design is not just about utility but engages in the semiotics of domestic life and social hierarchy.