Copyright: © The Piper Estate | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Curator: What strikes me immediately is the almost unsettling atmosphere in this Venetian scene. Editor: Indeed. John Piper, born in 1903, certainly captures a somber mood. Piper often depicted architectural subjects, and here we see his distinctive style, combining line and color, to evoke a sense of decay and melancholy. Curator: The pointed facades almost suggest looming figures, and the dark water further enhances the somewhat ominous feeling. It is less a record of Venice and more a psychological space. Editor: Yes, and the architectural details themselves are fascinating. The arches, reminiscent of Gothic or Moorish design, could symbolize a bridge between cultures or a yearning for a lost past. Curator: Perhaps, or maybe the artist intended to use the architectural shapes simply to express the sublime feeling brought about by history, and, if so, he succeeded. Editor: Ultimately, Piper's Venetian scene, regardless of title, lingers in the mind as a powerful meditation on time and space. Curator: A compelling testament to the artist's vision and the power of suggestion.
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The libretto of Benjamin Britten’s opera Death in Venice was one of several written for him by John Piper’s wife Myfanwy. While they were collaborating on this, John Piper was also designing the sets. He based these on details of typical Venetian architecture, which were painted onto tall revolving towers. The opera was first performed at the Aldeburgh Festival on 10 May 1973. Piper exhibited paintings and drawings which were similar to these designs, and published a portfolio of screenprints, of which this is one. Gallery label, July 2008