[title not known] 1972

Editor: This John Piper piece, of an unknown title, shows a Venetian canal scene. The dark, almost oppressive, mood is striking. What’s your take on this work? Curator: I see a deep engagement with materiality. Consider the visible layering of paint and ink, the rough texture almost mimicking the distressed surfaces of Venice itself. The labor involved in creating this layered effect is palpable. Editor: So, the process itself is key to understanding the artwork? Curator: Absolutely. The artist's hand is evident, highlighting the human labor behind the creation. How does this focus on materiality challenge traditional notions of landscape painting, in your view? Editor: It makes you think about the physical act of making art, not just the pretty picture. I never thought of it that way. Curator: Exactly! It brings a new appreciation.