Kaart van de slag bij Landen, 1693 by Anonymous

Kaart van de slag bij Landen, 1693 1693

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print, ink, engraving

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comic strip sketch

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baroque

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print

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pen illustration

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old engraving style

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personal sketchbook

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ink

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ink drawing experimentation

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pen-ink sketch

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line

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pen work

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sketchbook drawing

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history-painting

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storyboard and sketchbook work

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sketchbook art

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engraving

Dimensions height 197 mm, width 275 mm

Curator: Here we have "Kaart van de slag bij Landen, 1693," or "Map of the Battle of Landen, 1693." This print, etched in ink by an anonymous artist, depicts the Allied army’s order of battle. It’s currently held here at the Rijksmuseum. What's your first take? Editor: Chaos! At first glance, it looks like ants swarming all over a picnic blanket. It has a fascinating density, doesn't it? Almost overwhelming, as though trying to convey the sheer number of individuals involved in a single historical moment. Curator: Precisely. What's remarkable about prints like these is how they translate a complex event into something comprehensible for a broader audience. Prior to mass media, visual representations were key to shaping public understanding of conflicts. Notice the Baroque style and the line work that provide structure to the image. Editor: Definitely structured. And almost... cute? In a strange way. These tiny regimented formations remind me of dollhouse soldiers arranged on a tabletop. Except, of course, the reality behind this game-like arrangement was devastating. Curator: Yes, this illustrates a key tension in historical representation. Maps like this aim to document the battle—in a way, offering some kind of "objective" truth, when, really, the depiction serves a specific agenda or point of view. The act of mapping, even the aesthetic of the rendering, can influence how people understand power and conflict. Editor: That's what I find so striking about this work. It's both aesthetically pleasing with those delicate lines and utterly chilling when you contemplate the immense human cost that underlies such tidy formations. You begin to understand the scale and coordination required in warfare. Curator: Exactly. In its own way, the piece embodies a kind of spectacle, aestheticizing a moment in history, transforming the real-world impact of political upheaval and violence into an intriguing piece of craftsmanship. Editor: Makes you wonder who originally encountered this image and how it was received. I’m still struck by the visual impact of so many lives organized on a single sheet. It's strangely moving, actually, like observing the faint echo of a shout. Curator: Indeed. This map compels us to remember, analyze, and ultimately to question the narratives around historical moments and the media by which such events were witnessed.

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