Briefkaart aan Ab Bogtman by Richard Nicolaüs Roland Holst

Briefkaart aan Ab Bogtman 1935

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drawing, paper, pencil

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drawing

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hand-lettering

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hand drawn type

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hand lettering

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paper

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personal sketchbook

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pencil

Curator: Here we have a postcard, "Briefkaart aan Ab Bogtman," created around 1935 by Richard Nicolaüs Roland Holst, currently held at the Rijksmuseum. It is made of pencil on paper. Editor: It strikes me as intensely personal, a quick, functional missive. The hand-lettering lends it an intimacy absent from printed text. There's a ghostliness, like holding a thought rather than an object. Curator: Precisely. Holst was known for his involvement in socialist causes and guild-like artistic collectives. The handmade quality speaks against mass-produced forms, towards individual expression even within the mundane task of sending a postcard. The chosen medium of pencil suggests accessibility. Editor: Pencil often evokes a sense of impermanence, of sketches and first drafts. Its grayness also adds a melancholic layer; think of leaden skies or fading memories. Note how deliberately the stamp is placed and the controlled rhythm of the cursive hand, almost stylized despite its informality. Is it addressed to someone known well? Curator: Indeed, to Ab Bogtman, his associate. The Buissche Heide address suggests it was penned whilst Roland Holst stayed there near Zundert. Given Holst’s ideology, his artistic choices in everyday interactions carry socio-political undertones, signaling a certain allegiance. Editor: Consider that within art's evolving context, correspondence holds an appeal. This hand-drawn script has echoes, not merely in our conscious memory but embedded almost at a cellular level. Each flourish conveys history. A tangible connection, if not in experience then emotional echo. It connects sender and recipient. Curator: Right, we observe a microcosm reflecting larger values, demonstrating Holst's artistic principles manifested in the everyday social landscape. Its apparent simplicity reveals, under scrutiny, complexity and intention. Editor: Ultimately, the postcard transcends simple communication; it serves as a testament to a worldview expressed through material object, echoing how artists project values, social interactions and intimate dialogues. Curator: An astute summary; a fascinating example that simple form speaks eloquently, its meaning resonant even decades after its creation.

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