Naturstudie XLI by Karl Wiener

Naturstudie XLI 1924

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drawing, coloured-pencil

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drawing

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coloured-pencil

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landscape

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coloured pencil

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geometric

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expressionism

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realism

Copyright: Public Domain: Artvee

Curator: Standing before us is "Naturstudie XLI," a landscape drawing rendered in coloured pencil by Karl Wiener in 1924. Editor: My immediate impression is one of quiet drama. The use of coloured pencils lends the scene a dreamlike quality, particularly in the juxtaposition of dark and vivid hues. Curator: Indeed, there’s an emotional register achieved through colour that transcends mere representation. Look at how Wiener uses purple for the distant hills, an almost symbolic colour choice. In color psychology, purple often represents contemplation, or something spiritual just beyond our grasp. Editor: Absolutely, it's fascinating how the strokes, while simple, create a dynamic sense of space and depth. The formal arrangement seems carefully calibrated to draw the eye back toward that glowing horizon, the sunset. Curator: It is very intriguing that this ‘study’ is designated ‘XLI’ - is this one of a larger series? Could it be about repeatedly engaging with and returning to the same scenery and visual devices? Perhaps Wiener intended to decode what the land held within itself through continual exposure? Editor: It does lead you to think about a serial approach. Thinking about colour too, notice the almost oppressive weight of the sky. Wiener isn’t trying to be photorealistic, but rather he is exploiting the inherent qualities of his chosen medium, pushing it to convey an emotional experience, or to signify particular symbolic properties to each of the layers of earth and sky. Curator: Consider the landscape itself as a symbol: an enduring presence reflecting not only nature but the artist's personal journey or emotional state. The forest below is solid but hazy and partially obscure, is it unknowable? Perhaps its secrets, mysteries and terrors remain sealed away, even to someone who has ‘studied’ them many times? Editor: Yes, ultimately, Wiener offers us not just a depiction, but an expression—a concentrated feeling rendered visible through form and color. Curator: I am inclined to agree: we observe Wiener revealing a complex emotional and intellectual relationship to his land and artistic practice. Editor: For me, the value lies in its ability to transform an objective landscape into an intimate and profoundly personal vision through striking application of color and compositional approach.

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