print, engraving
narrative-art
baroque
cityscape
history-painting
engraving
Dimensions: height 185 mm, width 145 mm
Copyright: Rijks Museum: Open Domain
This title page to the fourth volume of a historical account was printed in 1623 by Ian Evertz Kloppenburch, using the technique of engraving. Look closely, and you can see how the linear quality of the medium has influenced its appearance. Notice the density of lines used to create areas of shadow and form, particularly in the depiction of the naval battle and the execution scene. These weren't just images; they were disseminations of news, and tools of propaganda. The amount of work involved in the production process is considerable. Each line had to be manually incised into the metal plate, a labour-intensive process that required skill and precision. The act of engraving is here imbued with social significance, serving as a visual record of events, and a commentary on the political landscape of the time. Paying attention to materials, making, and historical context allows us to appreciate how this print challenges traditional distinctions between fine art and craft.
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