This is a study of a female nude by Pieter van Gunst, made sometime between 1659 and 1724. The engraving exhibits a range of values achieved through fine, deliberate lines, creating a rich sense of form and texture. The composition is structured around the central figure of a woman, viewed from behind, whose smooth skin contrasts with the textured drapery and the ornamented vase. This juxtaposition invites us to consider how van Gunst employs these elements not merely to depict but to engage with classical ideals of beauty. The pose, reminiscent of classical sculpture, and the setting, with its suggestion of landscape, function semiotically, evoking notions of timelessness. The lack of overt emotional expression steers the focus toward the formal qualities. Ultimately, the study stands as a testament to the enduring power of the drawn line.