Collegium Medicum te Amsterdam, toegangspenning voor de hortus medicus voor apothekersleerling Jan Muijser Pietersz by Anonymous

Collegium Medicum te Amsterdam, toegangspenning voor de hortus medicus voor apothekersleerling Jan Muijser Pietersz 1686

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metal, relief, engraving

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dutch-golden-age

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metal

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relief

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engraving

Dimensions: diameter 3.2 cm, weight 10.11 gr

Copyright: Rijks Museum: Open Domain

Editor: Here we have an engraved metal token, "Collegium Medicum te Amsterdam, toegangspenning voor de hortus medicus voor apothekersleerling Jan Muijser Pietersz," dating back to 1686. One side shows an arrangement of flowers, the other text, all rendered in quite elegant detail. It seems so formal, like a precious document, and it has such lovely script. What hidden meanings can you unpack for me? Curator: It's a fascinating object, isn't it? Think of flowers and plants. In the 17th century, they were more than just beautiful objects, they were potent symbols with religious and cultural baggage attached to them. Now look at this image and the botanic garden inscription and student's name... What's the cultural weight here, considering Amsterdam's role in global trade during the Dutch Golden Age? Editor: Well, Amsterdam was a major center for trade and exploration. The botanic garden, a "hortus medicus," relates to apothecaries and medicine. The flowers themselves… Perhaps they represent not just beauty, but the ingredients for medicines, collected from all over the world? And bearing someone's name, a confirmation. Curator: Exactly! This is more than just a token; it’s a representation of knowledge, trade, and even power. This student, Jan Muijser Pietersz, was granted access to the secrets held within that garden. Those imported plants, catalogued in print, had medicinal value of a very profitable sort! The engraved rendering signifies controlled nature; it transforms a growing area of medicine into a precious item to collect and consult in painted books. Editor: So it connects this student to this wider world of botanical knowledge and commerce in a really personal way? I guess objects can carry so much hidden history within their symbols. Curator: Absolutely. And seeing them within the larger story of art and visual communication can amplify this silent testimony. What looks merely decorative could have a meaning rooted in the collective memory of an age.

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