The Adoration of the Maji c. 1510 - 1520

This is Hans Schäufelein's roundel of "The Adoration of the Maji," a stained glass piece located at the Minneapolis Institute of Art. The composition immediately draws the eye to its circular form, a self-contained universe of vibrant blues, reds, and yellows. The arrangement of figures is deliberately staged, almost theatrical. Observe how Schäufelein uses color and light to direct our gaze. The blues, for instance, act as a structural anchor, framing the scene and guiding our eyes through the narrative. Note also the careful geometry in the placement of the Magi and the Holy Family. Each figure occupies a distinct space, yet they are unified by their shared focus on the Christ Child. The texture of the glass itself plays a crucial role. The subtle variations in color and opacity create a shimmering effect. In essence, Schäufelein's roundel is not just a depiction of a biblical scene. It's a meditation on form, color, and light, inviting us to consider the interplay between aesthetics and meaning. It's a dynamic piece, a testament to the enduring power of visual language.