Deposition of Christ 1444

Andrea del Castagno's "Deposition of Christ," now in the Duomo di Firenze, is rendered in stained glass. The circular composition immediately draws the eye, its vibrant colors—deep blues, reds, and greens—creating a sense of both sorrow and reverence. The figures, arranged around the body of Christ, are delineated by strong lines. This design emphasizes the emotional weight of the scene. Del Castagno masterfully employs the medium to capture the play of light, which becomes a crucial element in conveying the spiritual atmosphere. Structurally, the tondo format encloses the scene, focusing our attention on the intimate moment of Christ's removal from the cross. The arrangement of figures and colors create a semiotic system of mourning, where each gesture and hue contributes to the overall emotional impact. Notice how the circular form, typical of the Renaissance, challenges the traditional rectangular format. This not only destabilizes conventional religious representation but also invites ongoing interpretation of its artistic and spiritual significance.