Très Parisien, 1927 : TISSUS DE RODIER (...) 1927

Curator: This print, titled "Très Parisien, 1927: TISSUS DE RODIER (...)" is currently held at the Rijksmuseum. It's a drawing from 1927 signed by J. Dory showcasing Art Deco style with a focus on figuration. What's your first impression? Editor: The composition strikes me immediately. It's so balanced, yet dynamic. The lines, the way the garments hang... everything contributes to a sense of stylish ease and nonchalance. I find it charming, a perfect expression of the period. Curator: Absolutely. "Très Parisien" evokes the rapid shifts in women’s fashion during the late 1920s, influenced by movements towards social and political freedom. You can really see the tensions between tradition and modernity. Editor: Interesting. From my perspective, the print is defined by its forms, especially the angular silhouettes of the garments juxtaposed against the curves of the models’ bodies. The print uses simple lines but suggests complex shapes and shadows that really add to the allure. Curator: I agree but the print is making an argument about identity, suggesting through fashion that women are starting to explore greater self-expression. The print is advertising fashion, but more importantly a social role. Editor: Perhaps but I also see restraint. The palette is limited, a harmony of soft browns and gentle pinks against the stark white. The subdued color contributes to a subtle sophisticated statement rather than some loud proclamation. Curator: Indeed, the Rodier fabrics signified not only wealth but also an awareness of a specific artistic milieu. Buying into this elevated women’s fashion served as an entry to a larger cultural and political dialogue for many. Editor: This reading has revealed the depths I had previously missed. Thank you. Curator: And to me, you illuminated how the work’s lines evoke this feeling and sentiment in the first place.