Twee vechthanen in een arena met publiek 1891 - 1912
gelatin-silver-print, photography, gelatin-silver-print
print photography
gelatin-silver-print
photography
gelatin-silver-print
Dimensions height 205 mm, width 262 mm
Curator: Immediately, I am struck by the tension in this photograph, even though it's frozen in time. A circle of onlookers, and right in the middle, those two white roosters ready to go at it. Editor: Indeed. This gelatin silver print, known as "Two Fighting Cocks in an Arena with an Audience," believed to have been taken between 1891 and 1912 by Christiaan Benjamin Nieuwenhuis, really does capture a fascinating moment. The piece currently resides here at the Rijksmuseum. Curator: There's something unsettlingly performative about it. The roosters are beautiful creatures, all puffed up, but their purpose is, well, rather brutal. Are they symbols for something larger? I wonder about the humanity that’s projected onto these animals for a violent purpose. Editor: That's a compelling question. Cockfighting, as a genre painting, touches on themes of masculinity, competition, and spectacle that were particularly resonant in certain social contexts, though it can also highlight broader political tensions. The way such events are organized, staged, and attended, speaks volumes about the cultural values being enacted. Think of it as less about the inherent value of Indigenous-Americas—which certainly does factor into this realism—and more about human culture and social constructs. Curator: And there are those people surrounding the birds. Look at their faces in the blurry background, or what we can glimpse of them, trying to see some kind of action. Are they gambling? Are they there for a display of dominance, to let off steam in such close quarters? This entire setup feels heavy. Editor: Absolutely. There is something compelling about the relationship between observer and spectacle here, which has implications when viewed through a critical lens. Whose story are we seeing and what do we do with it, generations removed? Curator: Well, now I'm seeing those cocks in an even newer light, as representations of a kind of blind competition which, with hindsight, it’s perhaps up to us to dismantle. Thank you for giving the shot an enlightening reading, seeing through the humanity. Editor: Thank you. Reflecting on this print, it underlines just how vital these glimpses into social past can be for sparking conversations about society's values today.
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