Sens Obligatoriu 1972

Curator:Welcome. Let's look closely at "Sens Obligatoriu" painted in 1972, by Gil Nicolescu, in acrylic on canvas. Editor:It's a striking composition. I am intrigued by the use of a dark background, which really emphasizes the layered green and geometric shape. How do you interpret this piece from a formalist point of view? Curator:The success of this composition resides primarily in the calculated use of colour and form. Note the contrast between the expansive green area and the precisely delineated geometric form containing red and blue lines. How does this sharp juxtaposition impact your perception of space within the painting? Editor:I see how the contrast flattens the image. The background appears to recede while the shapes and colors remain static on the picture plane. Do you think there’s a connection with the painting being acrylic on canvas? Curator:Undoubtedly. Acrylic's fast-drying property allowed for a controlled application, crucial for the sharp definition of the geometric shapes and linear elements. The flat, matte finish further enhances the emphasis on the two-dimensional surface. We might consider if this is painting which foregrounds pure materiality. Editor:I hadn't thought of that before! I am now beginning to appreciate the conscious decision-making process involved in selecting and handling each element to convey visual balance, surface and plane in Nicolescu's art. Curator:Indeed. Through careful consideration of form and color, Nicolescu transcends mere representation. Editor:Thank you. It’s helpful to approach an abstract piece like this by first unpacking the material choices and the artist’s attention to shape and colour.