Sadie Pfeiffer, Spinner in a Cotton Mill by Lewis Hine

Sadie Pfeiffer, Spinner in a Cotton Mill Possibly 1908 - 1930

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print, photography, gelatin-silver-print

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portrait

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print photography

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print

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landscape

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social-realism

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photography

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gelatin-silver-print

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ashcan-school

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genre-painting

Dimensions height 127 mm, width 178 mm, height 125 mm, width 171 mm

Lewis Hine captured this photograph of Sadie Pfeiffer, a spinner in a cotton mill, sometime in the early 20th century. I can't help but think about the light in this photograph and how it illuminates both the industrial machinery and the girl. It's as if Hine wanted us to see, very clearly, the conditions in which she was working. I imagine he was moved by the realities of child labor and felt compelled to document it. Maybe he, too, was once a child laborer? The rows of spinning machines recede into the distance, creating a feeling of endless repetition, almost like a minimalist Agnes Martin painting. And Sadie herself, standing there with a concentrated look, appears as a small, almost fragile figure within that harsh landscape. The overall effect isn’t just about recording a historical moment but about igniting a sense of urgency and compassion. Like any good painter, Hine uses light and form to speak to something deeply human.

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Comments

rijksmuseum's Profile Picture
rijksmuseum over 1 year ago

A young girl at work in a factory, or a boy selling newspapers on the street: Hine typified them. He worked as a photographer for the National Child Labour Committee, gave lectures, and filled files with images of children at work everywhere in America. Even then the photographer and his employer knew that a picture can say so much more than words. Photographs literally helped bring an end to child labour.

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