Model for 'Construction in Space 'Two Cones'' 1927

Editor: Right, so this is Naum Gabo’s "Model for 'Construction in Space 'Two Cones'’" from 1927, a sculpture made of metal and acrylic paint. The shapes are fascinating—it feels almost architectural, but also somehow delicate. What do you make of this work? Curator: Gabo was deeply involved in the Constructivist movement, which was heavily influenced by the socio-political upheaval in Russia at the time. Looking at this piece, consider how it breaks from traditional sculpture by emphasizing space and volume as constructed elements, rather than solid mass. What impact do you think that had on the public perception of sculpture? Editor: I can see how that's revolutionary. It's like he's sculpting with air. Did this new approach impact other artists too? Curator: Absolutely. Constructivism became associated with progressive social ideals, as it saw art as a tool for building a new, modern society. The materials themselves—industrial materials—also reflect this utopian vision. How does seeing it in that light affect your initial reaction? Editor: It's almost like a miniature monument! Knowing the background adds so much weight to the geometric forms. Were there challenges presenting something so abstract to the masses back then? Curator: There certainly were. Abstract art was often viewed with suspicion, seen as elitist or incomprehensible. However, Gabo and his contemporaries actively engaged in public debates, writing manifestos and organizing exhibitions to promote their ideas. That makes us question, what is the public role of abstract art in a period of great social change? Editor: That’s really thought-provoking, imagining the reaction it might have provoked. I came into this just thinking it looked cool, but there's so much more to unpack in how it challenged artistic conventions. Curator: Indeed. And hopefully understanding that socio-political environment enriches your appreciation of what this artwork represents beyond just geometric shapes. Editor: Definitely. Thanks! Curator: My pleasure.