[Plate from Izaak Walton's The Compleat Angler] 1880s

This photogravure print by George Bankart presents a serene scene, likely produced with meticulous care using a copper plate etched with the image and then inked to create the final print. The image is a testament to the craft involved, each print requiring a skilled hand to transfer the ink and capture the subtle tones of the landscape. The texture of the paper and the depth of the ink contribute to the print's tactile quality, inviting a close, almost intimate viewing experience. The process of photogravure was embraced during the late 19th and early 20th centuries as it allowed for the mass production of high-quality photographic images, which democratized art and information. Considering the labour that went into producing each plate, we can appreciate how this bridged the gap between fine art photography and the wider world of commercial printing, influencing how images were circulated and consumed. By focusing on materials and processes, we gain a deeper understanding of the interplay between artistic intention, technical skill, and social context.