Gardeners by Keith Arnatt

Gardeners 1978 - 1979

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Dimensions: support: 404 x 304 mm

Copyright: © The estate of Keith Arnatt | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have Keith Arnatt's photograph, "Gardeners." It's a black and white shot of a man beside a large hydrangea bush. The textures are incredible! What do you make of its composition? Curator: Look at the material reality here: the ordinary man, the brick, the overflowing hydrangeas. It highlights the everyday labor and materials that construct our social landscape. How does the photographic process itself contribute to this representation of normalcy? Editor: That's interesting. So it's not just about the image, but about how the image was made and what it represents? Curator: Exactly. The means of production and the subject matter converge, blurring the lines between high art and the mundane. Editor: I never considered that before. Thanks for opening my eyes to the details beyond the surface.

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tate 3 days ago

http://www.tate.org.uk/art/artworks/arnatt-gardeners-t13108

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tate's Profile Picture
tate 3 days ago

Gardeners 1978–9 is a large series of black and white photographs that depicts individuals standing outdoors in the gardens they tend, which vary in character from sprawling fields in the countryside to small urban front gardens. Although the gardeners’ poses, expressions and clothing differ, they are all shown full-length standing in the mid-ground of the scene and looking towards the camera. The selection of forty prints from this series in the Tate collection (Tate T13087–T13126) was made and exhibited in 1979 for Keith Arnatt’s solo exhibition at the Anthony d’Offay Gallery, London. A different selection of prints was exhibited in his 1989 touring solo exhibition Rubbish and Recollections (Cambridge Darkroom; Oriel Mostyn, Llandudno; The Photographers’ Gallery, London; Ffotogallery, Cardiff). Arnatt took the photographs that make up this series during 1978 and 1979. To do so, he visited the sitters at their homes, photographing them in their own gardens. The series title, Gardeners, focuses the viewer’s attention on the gardeners rather than the gardens themselves, although the way in which Arnatt presents the individuals surrounded by the grass, foliage and sometimes concrete of their settings, with little else in view, suggests the intimate connection between the gardeners and their land. The repetitive nature of the composition and poses across each of the forty photographs also has the effect of drawing together a diverse group of people who have been photographed as a result of a shared hobby.