Plate 13: Argonauts Meleager and Tydeus led by Cupid (Meleagro et Tideo Argonotes condotti da Cupido), from the series 'The magnificent pageant on the river Arno in Florence for the marriage of the Grand Duke' (Le Magnifique carousel fait sur le fleuve de l'Arne a Florence, pour le mariage du Grand Duc), for the wedding celebration of Cosimo de' Medici in Florence, 1608 1664

This print, made in 1608 by an anonymous artist, commemorates Cosimo de’ Medici’s wedding in Florence. It's an etching, meaning the artist covered a metal plate with wax, drew this intricate design into the wax, then submerged the plate in acid. The acid bit into the exposed lines, leaving an incised image that could then be inked and printed. Note the detailed rendering of the boat, from the figures and oarsmen, to the carved decorations and billowing sails. The linear quality of etching beautifully captures the texture of the water and the opulence of the vessel. The choice of printmaking speaks volumes. It allowed for mass production and distribution, broadcasting the Medici family’s power and wealth far beyond Florence. This wasn't just a wedding; it was a carefully orchestrated piece of political theater, and the print served as propaganda. By understanding the materials and processes, we see how art was deeply entwined with social and political power.