Buste van Maria, in ovaal 1588 - 1602

This is Jacob Matham’s “Bust of Maria, in Oval,” an engraving, printed on paper. The composition centres on the Virgin Mary, her gaze lowered and hands clasped in prayer, set within an oval frame. Note the texture achieved through fine, dense lines that define the shadows and contours of Mary's face and drapery, creating a palpable sense of depth. Radiating lines behind her head form a halo, enhancing the spiritual aura. The oval frame encircling Mary is inscribed with text, integrating word and image. This combination invites a semiotic reading. The visual elements, like the lines and shading, act as signs pointing to deeper religious meanings. This piece engages with ideas around representation and religious devotion and invites us to consider how art can function as a conduit for spiritual reflection. Consider how the formal arrangement, with its careful balance of light and shadow, contributes to a sense of divine presence, making this artwork a powerful expression of faith.