Vrede van Vervins, ter ere van Hendrik IV, koning van Frankrijk by Philippe (I) Danfrie

Vrede van Vervins, ter ere van Hendrik IV, koning van Frankrijk 1598

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metal, relief, bronze, sculpture

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portrait

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medal

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metal

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relief

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bronze

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11_renaissance

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sculpture

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history-painting

Dimensions diameter 4.1 cm, weight 23.39 gr

Editor: This intriguing bronze medal from 1598, by Philippe Danfrie, is titled "Vrede van Vervins, ter ere van Hendrik IV, koning van Frankrijk," or "Peace of Vervins, in honor of Henry IV, King of France." It feels almost like a historical artifact you could hold in your hand, worn and aged by time. What strikes you about this piece? Curator: Well, immediately I'm drawn to how this object operates as a form of political propaganda. The Peace of Vervins marked the end of the Franco-Spanish War, and medals like this were commissioned to celebrate and solidify Henry IV’s image as a peacemaker and strong ruler. The King very cleverly reshaped his own persona, understanding the importance of visual messaging. Look at how portraiture, even on a small scale, could contribute to shaping public perception of a monarch. What do you notice about the imagery on the reverse? Editor: There's a figure, perhaps an allegorical representation of Peace, with what looks like a cornucopia? It definitely reinforces the theme of prosperity following conflict. Curator: Exactly. Think about the distribution of these medals. Were they accessible to the masses, or intended for a more elite audience? These objects circulated among diplomats, nobles, and other influential figures, subtly shaping their perceptions of the French monarchy and reinforcing ideas about Henry’s reign and French power. Editor: So it's less about mass appeal and more about influencing the influencers. Did the artist have creative control, or was it all dictated by the royal court? Curator: That's a fascinating question! We have to consider the artist's own skills, but the subject matter was certainly prescribed. An artisan had to deliver an effective, reproducible, and easily understood visual. Editor: That makes me see the medal in a new light - as both art and carefully constructed PR. Curator: Indeed, these objects encapsulate the power dynamics of the Renaissance court. Looking at the interplay of art and politics enriches our experience with such a little artifact.

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