James Edward "Tip" O'Neill, Left Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes by Goodwin & Company

James Edward "Tip" O'Neill, Left Field, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes 1888

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drawing, print, photography, albumen-print

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portrait

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drawing

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aged paper

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toned paper

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print

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old engraving style

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baseball

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photography

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men

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genre-painting

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albumen-print

Dimensions sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)

Curator: Ah, here we have an albumen print from 1888, a baseball card, really, from the "Old Judge" series. It features James Edward "Tip" O'Neill, a left fielder for the St. Louis Browns, printed by Goodwin & Company. Editor: Whoa, that's some serious vintage vibes right there! I love the sepia tone; it's got this dreamy, old-timey feel. And look at that 'stache! Majestic. It makes me think of summer afternoons and cracker jacks. Curator: The Old Judge series is fascinating, particularly when viewed through the lens of labor and consumer culture. Consider that these cards were inserted into cigarette packs. So we have an entanglement of sport, industry, and personal habit all vying for attention in late 19th-century America. It begs us to think about the intersections of masculinity, commerce, and celebrity. Editor: Totally. You’re hit with that capitalist paradox. They're selling us tobacco by dangling heroes... like baseball gods! Is he posed with the bat back, ready to swing at some historical oppression or just a curveball? I like to think the former, obviously. Curator: It's intriguing to analyze O'Neill’s positioning within this broader historical context. How did his athletic prowess, captured in this simple portrait, function as both a commercial tool and a cultural signifier during a period of intense industrial expansion and societal transformation? Editor: Exactly! It makes me think… What's his story? What pressures was he facing on and off the field? Was he in on the game or just playing it? You know? Still...I find so much to be discovered in that simple moment frozen forever! The composition centers us with our hopeful hero in motion...sort of an everyman! Curator: Indeed, analyzing art like this—even something seemingly simple like a baseball card—lets us peel back the layers of history, power dynamics, and social constructions of the time, hopefully helping us to see and change those power dynamics in the current moment. Editor: Right, let’s step up to the plate. Okay, alright. I think this calls for another glance. Makes you feel like the world's series might need a pinch of philosophical seasoning next year!

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