Gezicht op de Beurs in Rotterdam by Hendrik Wilhelmus Last

Gezicht op de Beurs in Rotterdam 1850

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print, etching, engraving

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dutch-golden-age

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print

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etching

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pencil sketch

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landscape

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etching

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cityscape

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engraving

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realism

Dimensions height 225 mm, width 305 mm

Editor: Here we have Hendrik Wilhelmus Last's "Gezicht op de Beurs in Rotterdam," an etching from 1850, currently residing at the Rijksmuseum. It presents this wonderfully detailed cityscape… there’s almost a bustling quality, despite the monochrome palette. How do you interpret this work? Curator: This piece speaks volumes through its carefully rendered details. Notice how the artist frames the central scene—the Exchange—with vignettes, each acting like a memory or a symbolic representation of Rotterdam's identity at the time. What feelings do these vignettes evoke in you? Editor: I see... a compass, maritime scenes… Maybe they are to highlight Rotterdam's role in trade and navigation? Curator: Precisely! They function almost like emblems, drawing upon shared cultural understandings of prosperity, exploration, and the industrious spirit of the city. Consider how the placement of the Exchange at the center reinforces its importance, almost as if it’s the heart from which all other activity flows. The artist also seems concerned with showing social strata. How are class relations visualized here? Editor: There's definitely a contrast in clothing and activity... merchants conducting business, but then workers, possibly porters, also featured within the ornamental border… almost as if they are supports. Curator: Yes! The artist consciously includes laborers to show that their efforts helped build the Exchange's significance. By putting their representations around the main image, it almost evokes the symbolism of caryatids in classical architecture: foundational support given a face. What overall feeling is being expressed here about Dutch society at the time? Editor: A blend of pride, maybe? A statement about Rotterdam's success, but one that acknowledges all levels of contribution to that success. I learned a lot! Curator: Indeed. This print serves not just as a visual record, but also a statement about civic identity and the interwoven nature of social roles within a thriving trading center. I agree! It opens up a unique glimpse into a complex period.

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