The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō, likened to Wu Song the Ascetic (Gyōja Bushō ni hisu), from the “Pine” triptych of the series A Modern Water Margin (Tōsei suikoden) 1854

Utagawa Kunisada created this woodblock print, “The Actor Kawarazaki Gonjūrō I as Ude no Kisaburō,” as part of the series “A Modern Water Margin.” Here, Kunisada draws on the visual language of tattoos to explore themes of identity and rebellion. In 19th-century Japan, tattoos were often associated with the working class and outlaws, representing a rejection of societal norms. The actor’s elaborate body art merges with his stage persona, blurring the lines between performance and reality. This challenges traditional representations of masculinity and status. Note the determined expression on the actor’s face, suggesting a complex inner life beyond the surface. It speaks to the emotional intensity of Kabuki theater, where actors embodied characters from all walks of life. Kunisada's work invites us to consider how identity is constructed and performed, both on and off the stage.