Kersenbloesem van Edo 1861 - 1869

Utagawa Kunisada’s ‘Kersenbloesem van Edo’ is a woodblock print, a testament to the meticulous labor and artistry embedded in this traditional medium. The process begins with a drawing, which is then transferred to a wooden block, usually cherry. Using specialized carving tools, the artist or craftsman meticulously cuts away the wood around the lines, creating a raised relief. Each color in the final print requires a separate block. Applying water-based inks to the blocks, paper is laid on top and rubbed to transfer the image. The materiality of the wood directly influences the print’s appearance. The grain can subtly appear in the print, adding texture, while the sharp edges achieved through carving define the clean lines and flat planes of color. The social context here is crucial: these prints were relatively affordable, making art accessible to a broader public. The division of labor, with artists, carvers, and printers each playing a role, reflects the economic structure of the time. Appreciating this work means recognizing the convergence of artistic vision, skilled craftsmanship, and the dynamics of production and consumption.