Verkiezing van Maurits, graaf van Nassau gekozen tot stadhouder van alle opstandige gewesten by Anonymous

Verkiezing van Maurits, graaf van Nassau gekozen tot stadhouder van alle opstandige gewesten 1590

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silver, print, metal, sculpture, engraving

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medieval

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silver

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print

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metal

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sculpture

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sculpture

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history-painting

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engraving

Dimensions diameter 3 cm, weight 6.73 gr

Curator: Here we have an anonymous engraving from 1590, residing at the Rijksmuseum: “Verkiezing van Maurits, graaf van Nassau gekozen tot stadhouder van alle opstandige gewesten.” Quite a mouthful. Editor: Yes, and instantly imposing with its detailed intricacy etched into this small metal surface. It feels dense, laden with meaning. Curator: Absolutely. If we unpack that density, we can start with the core structuring element: the pillar. We see it quite prominently on the coin, beneath the floating hat. It's framed between those abbreviated words—LIBERT and RELIG—encapsulating notions of both liberty and religious freedom. Editor: That pillar is fascinating, it clearly acts as the structural linchpin of the composition and it seems to function almost like a spine, not just physically holding the image together, but symbolically reinforcing the Dutch Republic’s principles. Note the hat topping the pillar: is that a specific symbolic shorthand? Curator: The hat alludes to a specific headgear that serves as a token or symbol of freedom during that time. But shift your attention now to the reverse side of the coin: notice the clasped hands motif encircled by radiant light. The handshake could symbolize concord or a confirmation, of sorts. Editor: Yes, definitely a potent symbol. Handshakes themselves carry so much cultural weight—trust, agreement, alliances forged. Framing it within that burst of light is particularly compelling. The language ringing around, though mostly illegible due to the object's condition, suggests some invocation of divine support. Curator: The condition itself bears mention. Notice the worn edges and surface pitting—visual reminders of its journey through time and circulation. These marks alter the light and shadows captured on the metal, creating tonal gradations beyond the designer’s original intention. Editor: Time etching itself onto the artwork! Beautifully put. So, between these twin emblems—the pillar and the handshake—a narrative of independence, faith, and unity unfolds. A striking combination of design elements creating a microcosm of cultural values rendered portable. Curator: And structurally bound—two sides creating a more full sense of how liberty and agreement could stand together. This approach allows the overall artwork to have some balance. Editor: This close inspection reminds me that even small, functional artifacts can reveal grand narratives.

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