Macht van de Zeven Verenigde Nederlanden by Anonymous

Macht van de Zeven Verenigde Nederlanden 1613

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natural stone pattern

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3d sculpting

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3d printed part

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sculpture

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detailed texture

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sculptural image

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unrealistic statue

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3d shape

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stoneware

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statue

Dimensions: diameter 3 cm, weight 8.31 gr

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at "Macht van de Zeven Verenigde Nederlanden," made in 1613. It’s currently in the Rijksmuseum. It looks like a coin, and I'm immediately struck by the bundle of arrows at its center. What statements do you think this piece might be making? Curator: That central image, the bundle of arrows, is key. It's a powerful symbol, laden with historical and political significance. Consider the context: 1613, the Dutch Republic was emerging as a major force, throwing off Spanish rule. What might a bundle of arrows signify in that struggle for independence and self-determination? Editor: Unity? Strength in numbers? That they're stronger together than apart? Curator: Precisely. The seven arrows represent the seven provinces of the Dutch Republic, bound together in common cause. But who gets to be part of that "common cause," and who is excluded? Editor: So, the artwork’s about the collective identity of the new republic, but potentially also about who is not represented in that identity? I see. It seems a bit… exclusionary. Curator: That's a very astute observation. Visual culture in the Dutch Golden Age helped construct a powerful narrative of national identity, often glossing over internal divisions and the voices of marginalized groups. We need to look closely to unpack its claims and understand the complexities. Who wasn't represented? What about religious minorities? Or women? Editor: It's definitely making me reconsider my initial positive take. I assumed it was a simple message of unity. Curator: Good! Let’s not let it get away with that initial impression. This simple coin holds much richer political narratives of dominance, struggle, and independence in the Seventeen Provinces. I will certainly remember this point of view the next time I approach any historical artefact.

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