Titelvignet til "Bii-Kuben for Aar 1761", V del by Hans Quist

Titelvignet til "Bii-Kuben for Aar 1761", V del 1761

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drawing, print, paper, woodcut, engraving

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drawing

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aged paper

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toned paper

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narrative-art

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print

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sketch book

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paper

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personal sketchbook

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woodcut

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sketchbook drawing

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watercolour illustration

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genre-painting

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sketchbook art

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engraving

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watercolor

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historical font

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columned text

Dimensions: 87 mm (height) x 115 mm (width) (plademaal)

Curator: Here we have a title vignette created by Hans Quist for “Bii-Kuben for Aar 1761”, made through a combination of drawing, woodcut, and engraving. Editor: My first impression is of an understated scene, seemingly capturing a very ordinary moment. The scale and fine lines really emphasize its humble nature. Curator: I agree, there's an inherent simplicity in its construction, which amplifies its thematic impact. Look at the figures positioned under a weathered wooden frame that is partially inscribed with the Latin phrase "SIC VOS NON VOBIS". What does that evoke for you? Editor: It gives structure to the overall design. The contrast between the rigid frame and the organic rendering of the background is compelling. But for the untrained eye it just serves as part of the illustration. The figures performing some agricultural work give context but ultimately make it unclear and leave the interpretation very ambiguous. Curator: True. This is a classical trope that carries powerful resonance. Here it is a reminder about exploitation, of doing labor, of toiling not for oneself but for the collective or even for those who are more privileged. The act of processing something, likely honey or beeswax, from the beehive, as the title suggests, further adds to that idea of transforming work into a more precious object. The bees symbolize hard work, creation, order, self-sacrifice. Editor: Fascinating. Technically, I find the meticulous engraving remarkable, particularly how the artist plays with light and shadow to create depth within the limited grayscale palette. It speaks to incredible control of materials, doesn't it? Curator: It does, indeed. The way he captured the architecture, the organic density, all serves that story he is conveying. Editor: For me it’s just an enigmatic interplay between form and content, technique and expression. Curator: It's interesting to consider how such a small vignette encapsulates broader historical and social commentary. Editor: Absolutely. A seemingly simple scene with layers of complex meanings revealed through skillful visual language.

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