Officer, 1st Regiment, Massachusetts, V.M., from the Military Series (N224) issued by Kinney Tobacco Company to promote Sweet Caporal Cigarettes 1888
drawing, coloured-pencil, print
portrait
drawing
coloured-pencil
caricature
caricature
coloured pencil
watercolour illustration
genre-painting
sword
Dimensions Sheet: 2 3/4 × 1 1/2 in. (7 × 3.8 cm)
Editor: Here we have "Officer, 1st Regiment, Massachusetts, V.M.," a print made with coloured pencil around 1888, as part of the Kinney Tobacco Company's Military Series. It’s such a curious image - almost like a fashion plate for military uniforms, but something feels a bit...off. What do you see in this piece? Curator: It's important to remember these weren't created as high art, but as promotional material within cigarette packs. These types of cards reflected a growing national interest in military culture in the late 19th century. Ask yourself, what function does this image serve, embedded within popular culture of the time? Editor: Well, promoting cigarettes is obvious. But this idealized depiction of military life... does it normalize or glorify militarism for a broader audience? Curator: Precisely. Consider the visual rhetoric: the crisp uniform, the sword, the erect posture. What stories are these objects meant to convey? Cigarette cards such as this presented sanitized versions of often-brutal realities and perpetuated specific ideals about masculinity and civic duty. Does the fact that this card appeared in a tobacco product change the public's interpretation, or reception, of military imagery? Editor: I hadn’t considered the role of advertising in shaping these perceptions. The ubiquity of these cards means it wasn't just the elite seeing this image, but people from all walks of life. Curator: Exactly. It’s a glimpse into the public sphere, shaped by commerce and contributing to cultural narratives around patriotism and heroism, and a great illustration of visual culture’s ability to disseminate a particular viewpoint. It’s fascinating to consider how everyday objects mediate our understanding of complex social and political issues, don’t you agree? Editor: Absolutely. I'll definitely look at these kinds of "minor" artworks differently from now on!
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