Quatrain on Heavenly Mountain 1162 - 1187

This is an undated example of calligraphy by Emperor Gaozong, made with ink on silk. The silk is woven to a fine, even quality, providing a receptive surface for the ink. Note that the ink itself is far from a uniform substance, and the way it interacts with the silk is part of the work's aesthetic. The characters have been inscribed with great skill, with variations in pressure creating both bold and delicate strokes. The visual quality is dependent on a refined knowledge, not only of character formation, but also of the materials themselves. The brush must be of a specific animal hair, the ink ground to a certain consistency, and the silk prepared appropriately. The artist's labor is evident in the careful placement of each stroke, and the overall composition which is augmented by the red seals acting as visual counterpoints. By considering the materials and processes involved, we gain a deeper appreciation for the artistry and cultural significance embedded in this work, moving beyond a mere appreciation of its aesthetic qualities.