This watercolor of a church interior in Utrecht was made by Johannes Bosboom in the 19th century. Bosboom was interested in the ways that light played across architectural surfaces. Notice the delicate washes of pigment, built up layer by layer, which evoke the cool, cavernous space. But it's not just a study of light. It's also a study in labor. Observe the architecture itself. The building may be rendered in a sketchy manner, yet it represents countless hours of skilled stonecutting, carpentry, and glazing. The chandelier too represents the work of metalworkers, who would have plied their trade in conditions very different from the quietude represented here. Even Bosboom’s own practice is a form of labor. The ease of the watercolor medium belies the intense focus required to capture the scene. All this reminds us that every image—indeed, every object—is the result of many hands, and many stories.