Edward Augustine "Ed" Knouff, Pitcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes 1888

Editor: This gelatin silver print from 1888, titled "Edward Augustine 'Ed' Knouff, Pitcher, St. Louis Browns," has such a stark, classic quality to it. I am struck by how posed and static it feels, almost like a figure study rather than an action shot. What formal elements stand out to you? Curator: Initially, observe the stark contrast prevalent throughout the print. The figure is brightly lit and is separated from a muted background which creates a distinct division of space. Consider also how the photographer uses lines to create a portrait, which draws the eye upwards. The photographer makes use of several prominent lines, but to what purpose? Editor: It seems the parallel lines of his cap, the implied verticality of his body, juxtaposed against the implied horizontal line of the landscape serve to heighten his stature and project confidence in this portrait. What is the effect? Curator: Precisely. The composition uses line to evoke an image of the athletic body. Notice the position of the pitcher’s hands. How does this simple action contribute to the formal reading? Editor: By keeping the baseball between his hands, he emphasizes the focus is on his capability as an athlete. The monochrome and somewhat rough quality draws all focus to the subject and eliminates distraction, reinforcing the geometric qualities of the figure. The lines all build toward one another to demonstrate his physique. Curator: An insightful observation. Consider also the texture achieved with the gelatin silver print, providing depth to a form with otherwise limited variation in tone. This formal quality invites questions of the artistic intentionality within a functional advertising object. Editor: It’s fascinating how a piece primarily designed to sell cigarettes also serves as a compelling study of form and figure. It demonstrates the intersection of commerce and artistry inherent in the photographic medium. Curator: Indeed, a complex relationship between subject and medium.