Portfolio cover for -La tentation de Saint Antoine- 1889

Editor: This is Odilon Redon's portfolio cover for "La Tentation de Saint Antoine" from 1889, a lithograph printed on paper. It's interesting how such simple monochromatic tones create such a delicate feel. What strikes you when you look at this cover? Curator: I notice first the dedication "à Gustave Flaubert". This immediately resonates, understanding that Flaubert’s work, especially his own "Tentation de Saint Antoine," was a significant wellspring for Redon's imagery. This artwork isn't just a cover; it's a symbolic tribute, a bridge between literary and visual imagination. The subtle variations in tone, do you see how they create a dreamlike effect? It's less about depicting a literal scene, more about evoking a mood. Editor: Yes, I see that now. Like a whisper. So Redon isn’t just illustrating the story, but trying to capture its feeling? Curator: Precisely. Redon uses visual language to mirror the psychological depths that Flaubert explored in his novel. Remember, the temptation isn't just a singular event, but an ongoing inner conflict. How do you think Redon conveys this through the visual symbolism he employed in the full suite of lithographs that followed? Editor: Hmm, it's subtle here. Maybe the empty space invites contemplation on that internal struggle? It’s not chaotic or overwhelming, but quiet. Curator: Indeed. Consider how the printmaking medium lends itself to reproduction, disseminating these dreamscapes. He's not creating a unique object, but making these inner visions accessible. Does this change how you perceive its purpose? Editor: Definitely. It feels less like a precious object and more like an invitation. I'll have to explore the rest of the suite now!