Rivularia nitida c. 1843 - 1853

Anna Atkins made this cyanotype titled 'Rivularia nitida,' using a photographic printing process that gives the print a distinctive dark blue colour. The composition features several specimens of Rivularia nitida scattered across the frame, each rendered in white against the deep blue background. The layout of the algae clusters is not symmetrical, reflecting the natural asymmetry of the organic forms themselves. Each form is carefully arranged to allow for a clear observation of its distinct structural details. Atkins highlights the delicate shapes and textures of the algae. Consider the function of this piece. While beautiful, it is also deeply scientific. Cyanotypes, like this one, allowed for detailed and accurate representations of botanical specimens at a time when photography was still in its infancy. The choice of cyanotype contributes to its character, as the stark contrast between the blue and white accentuates the organic shapes, inviting us to reflect on the intersection of art and science.