Portret van de scheikundige Jean-Pierre-Joseph d'Arcet 1840

Marie-Alexandre Alophe made this print of Jean-Pierre-Joseph d'Arcet in France, most likely in 1840. The original drawing was made by Bourgeois and it was intended for publication. The inscription "Salon de 1840" suggests it was exhibited at the official Salon, which was a powerful institution shaping artistic careers and public taste. The image embodies the values of the French bourgeoisie. D'Arcet, a chemist, is portrayed with understated elegance, his gaze conveying intelligence and purpose. The clean lines and detailed rendering reflect a scientific, rational worldview. This contrasts with the more flamboyant styles associated with the aristocracy, which was still a potent social force at this time. The print embodies the aspirations of a rising middle class, one that valued education, industry, and public service. We can research exhibition records and period publications to better understand the print's original reception and its place within the broader cultural landscape of 19th-century France. Appreciating art always depends on its social context.