Vier foto's van leden van familie Van den Berg in een interieur, achter een huis en in een tuin in Wapenvelde by Norbert van den (1901-1972) Berg

Vier foto's van leden van familie Van den Berg in een interieur, achter een huis en in een tuin in Wapenvelde 1940 - 1950

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photography

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portrait

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garden

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still-life-photography

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photography

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genre-painting

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realism

Dimensions: height 232 mm, width 336 mm

Copyright: Rijks Museum: Open Domain

Editor: This photo album page features four photographs of the Van den Berg family in Wapenvelde, taken between 1940 and 1950. They seem like everyday snapshots of family life. What can you tell me about them? Curator: These aren't just snapshots; they're documents of a family navigating a turbulent era. The dates, 1940-1950, are crucial. These images are made during and just after the Nazi occupation of the Netherlands. The intimate settings – interiors, gardens – can be read as acts of resistance, preserving normalcy and domesticity. Editor: Resistance? In what way? Curator: Consider the photographic gaze itself. Who is taking these photos and why? Perhaps Norbert van den Berg used the camera to assert agency within a climate of oppression. Focusing on family reinforces community and belonging, values directly opposed to the Nazi ideology that sought to divide and conquer. The photographs become subtle acts of defiance. Do you see how they highlight the spaces claimed by the family, however small? Editor: I hadn't thought of it that way. It's like they're creating their own world within a world. Curator: Exactly. Look at the recurring motif of the garden, or groups casually gathered. They subtly reclaim leisure and normalcy amidst historical turmoil. Think about how these images might challenge the dominant narratives pushed by the occupiers. Editor: So, reading these photos is less about what's immediately visible, and more about what they represent in a specific context? Curator: Precisely. These images invite us to consider how seemingly ordinary moments can become powerful statements within the broader historical narrative of identity, resistance, and the preservation of self during times of conflict. Editor: That gives me a totally different perspective. I thought they were simple family photos, but now I see layers of meaning. Curator: It's in this critical interpretation and contextualisation of art and historical events that we find deeper resonance and understanding.

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